New Moon filmings detalier
The crew was very quick and organized, and divided all the extras into groups: “the drivers”, “the reds”, and “the blacks”. We felt like the prey of the production company. They then offered us breakfast, which I was grateful for since my stomach was complaining more than Rosalie. Me and all the other drivers (there were about a hundred of us), were then told to park in the front of the main entrance of the town, where a yellow Porsche was also parked! My God, what a beautiful car! The rest of the extras were taken inside the city wall, where they would be shooting the reunion between Edward and Bella later in the week.
The wait was unnerving. And extremely long. In the meantime, we learned the shooting schedule: Monday is rehearsals, Tuesday inside the city again, Wednesday and Thursday in the city square (Where there is expected to be 1000 extras), and Friday was for any needed reshoots. While I was waiting, I saw a really pretty girl with brown hair in jeans and t-shirt. For a second I thought it was Kristen Stewart, but then I realized it was her stunt double. The similarities between the two was striking, especially from behind.
At around 10pm, it’s our turn. When arrived in front of the door, Chris Weitz’s assistant, Bill, arranged the order of all the cars. Every time he looked at me and my car, he smiled. They then began tests with the Porsche, with Bella’s and Alice’s stunt doubles. And here’s the funny part: Alice had a stunt MAN, instead of a woman. He was wearing a headscarf, sunglasses, a red leather glove and a long grey coat with big silver buttons. Bella’s stunt double, instead, was dressed very simply, wearing only a green sweater and jeans.
The tests of the Porsche were seemingly never-ending, they really wanted it to be perfect. They did not overlook even the smallest detail: everything -from the placement of the car to all the car sounds- had to be just right. They even were overly careful with all the red flags placed around Montepulciano. The crew was sweaty and shouting us to get in our places, to which we obliged. Bill (Weitz’s assistant) was always calm and smiling, every once in a while stopping to talk to us on set.
